In our final weeks at Maatsuyker Island, my partner Gary and I had the joy of sharing the island with the Friends of Maatsuyker Island (FOMI), a fun-filled volunteer group who visit the island each year for an intensive working bee. Amongst the hard workers was photographer James Stone. On the second morning of FOMI’s stay, I made my way down to the lighthouse at first light to carry out a routine daily check. Rounding the corner I did a double take at the sight of a camera and tripod standing untethered on the path, where it had stood overnight. With the relentless winds at Maatsuyker, snagging a time when you might find your camera and tripod in the same place as you left it is a noteworthy event in itself. But when I saw the results of James’ photography, the aurora shown above, and a second image below, I was the one blown away. I invited James to share the story behind his stellar images.
As a night sky photographer and self-confessed aurora-addict I couldn’t believe my luck when an aurora was predicted for my first couple of nights on Maatsuyker Island, Australia’s southernmost lighthouse and maybe the best location from which to view the Aurora Australis or Southern Lights outside of spending a winter in the Antarctic. This was in conjunction with clear skies and no wind – conditions exceedingly rare on this exposed lump of rock in the Southern Ocean, renowned for being amongst the wettest and windiest places in Australia. Despite a very early start to get to Maatsuyker I knew I had to stay up and make the most of this incredible opportunity.
The lighthouse stood as a stoic sentinel as the lights danced high in the sky behind, the peace of night broken only by the cries and bellows of the seals on the rocks far below, and the occasional muttonbird swooping by. Being my first night on the island, and with restoration work going on in the lighthouse, I wasn’t sure if I should venture inside, but chanced sticking my head through the door to shine my headtorch up the stairwell, illuminating the windows and lantern room for effect. I would loved to have posed for a silhouette shot on the upper gantry but didn’t think I had better risk it without permission. Next time…
I watched the display long into the wee hours of the morning, in awe of not only the stunning night sky, but my spectacular good fortune to be able to be there, in that location, under those conditions, a unique and truly memorable experience.
Eventually tiredness overtook me and, placing my tripod in a sheltered spot out of the wind and flightpaths of birds, I left my camera clicking away shooting a time lapse until its battery ran out. Meanwhile I staggered back up the hill to bed.
For keen night-sky photographers, James shares his camera settings, and a second aurora image below: Camera: Nikon D750, Lens: Nikkor 16–35mm f/4, Exposure: 20seconds @ f/4.0, ISO: 5000. Be sure to check out James’ brilliant time lapse sequence on Vimeo.